In the case of antiques, a range of views are held on the value of patination and its replacement if damaged, known as repatination.
Preserving a piece’s look and character is important and removal or reduction may dramatically reduce its value. Certain appraisers note that a repatinated piece will be worth more than one with major imperfections in the patina, but less than a piece still with its original finish.
Patina is Father Time’s stamp of approval on many things, and interior doors are no exception. Fashions come and go, but a timeless interior door is an opportunity to disregard the current fad and all the subsequent ones.
The famous O.Henry quote, “New York will be a great place if they ever finish [building] it” is still true more than a century later. The place is always changing. Buildings (with all those interior doors inside) and entire blocks are raised to make room for something ever so new and progressive that may have looked good on paper. There hasn’t been a decade in the history of the city when construction wasn’t in full swing here and there – in all five boroughs.
The city is a perpetual work in progress – but the history is preserved in designated landmark structures: buildings, temples, monuments fortunate enough to receive the plaque stand amid the unceasing storm of change, dignified, beautiful, and wonderfully indifferent towards the vanity and hubris of each generation’s urban planners who are forced, fortunately for those of us who value classics, to build around them.
The structures around Columbus Circle have been razed and replaced numerous times, but the monument on top of the free-standing column remains – easily blending into the ever-changing ensemble around it. Buildings much taller than Trinity Church at the corner of Broadway and Wall Street have sprung up, come down, and sprung up again, but the temple continues on without ever appearing to be out of place. The area around the Empire State Building has been redesigned and rebuilt numerous times, but the enthusiasts determined to preserve the art deco masterpiece finally got the administration to landmark it in 1981, interior doors and all. The neo-Gothic arches of the Brooklyn Bridge have seen epochal developments on both sides of the East River, and the bridge itself has seen some changes (a streetcar line once ran over it). Some of the developments were intriguing, others pretty, still others less so, but the iconic structure remains – strikingly beautiful and timeless.
What do all timeless structures have in common? Patina comes instantly to mind.
In the case of the Palladio interior door collection, patina is applied to the raised moldings by hand. That’s right. Once traditional scratch-resistant and fade-proof finish has been applied, an actual craftsman comes in, armed with an assortment of brushes and a palette (seriously), and the process of patination begins, imparting to the final product – your interior door – an air of timelessness. No matter what kind of interior design you may have, no matter how much it changes in the future, this interior door model will have no problem blending into it – augmenting it, harmonizing it, improving it.