You read it here first: this interior door model, part of the Elivia collection, was inspired by the bouzouki, a legendary four-string musical instrument imported into Greece by immigrants from the Anatolian region around the year 1900. It was then further perfected by Greek craftsmen, following which it made it all the way to Ireland sixty years later. Somehow, the Irish found it delightful.
It produces sounds resembling those of the traditional mandolin, only finer and more pronounced, and the playing technique is somewhat different.
Wait a minute, you might say. Wasn’t this interior door collection, the Elivia family, inspired by Elizabethan romanticism?
Yes. It would be silly of us to deny it.
That said, each individual model has an additional source (or two) of inspiration. In this case, should you ask the designers, they’ll tell you it was the spirit of the entire history of music, from Roman Anatolia with their major diatonic scale to contemporary Irish tunes. Pretty neat, wouldn’t you say? The instrument – just like this interior door – is quintessence of harmony and elegance.
Oh, and did we mention this? It does come with all the usual Almese interior door amenities, such as the state-of-the-art hardware, including the 3D-adjustable concealed hinges, magnetic locks, automatic sweep, etc., and a dozen highly attractive finishes for you to choose from. It is also warp-resistant and scratch-resistant.
Why horizontal, though? Well, I thought you’d never ask!
Horizontal in this case means the direction, or, to be more precise, longitudinal orientation, of the wood grain.
Think of the two standard printing paper orientations, portrait and landscape. Indeed, most portraits (and I mean portraits painted – in oil, on canvas – by experienced artists) … Where was I? Ah, yes: most of them are vertical, whilst the vast majority of landscapes (painted by honest artists, etc), from Old Masters to Impressionists and beyond, tend to be horizontal. Most, not all. But still …
The reason for this is that each honest artist seeks to convey the impression of vastness first and foremost, as if asking the viewer to look to their right, then to their left, and then to their right again, and imagine all that great space continuing past the frame.
Likewise, as it is with this particular interior door model, the horizontal orientation of the wood grain will create for the viewer an impression of superior width of the room in which it (the door, that is) installed. It is a simple and innocent enough concept that nonetheless can greatly improve your decor by adding visual space to it. You can’t have too much visual space.
The space-creating trick was known to the ancient Greek architects, who perfected it. They referred to it as “optical correction.” Indeed, no proper Greek temple, theatre, or palace was constructed without resorting to it. Next time you’re in Athens, take a long good look at the Parthenon. Note that the columns are tilted inward and the bottom of the façade slopes from the center to the sides: all this so that the structure would appear perfectly geometrical to the viewer positioned a hundred yards from the entrance.